Lyuda Kalinichenko
Индустриальный младенец
Скульптура создана в составе арт-группы ЛККЛ (Людмила Калиниченко/Ксения Ларина) для фестиваля уличного искусства ЧӦ
Video documentation of RETREAT, Lyuda Kalinichenko, 2026. Recorded on the SCA-2 Art Satellite.
Courtesy of Xu Bing Space Art Residency
A 90-second video performance shown on the SCA-2 Art Satellite in low Earth orbit. The artist’s body appears curled in a foetal position against a black background, making almost imperceptible movements. The work explores retreat not as escape, but as a return to the self, where the body becomes a fragile signal between inner space, technology, and the cosmos.
Индустриальный младенец
Скульптура создана в составе арт-группы ЛККЛ (Людмила Калиниченко/Ксения Ларина) для фестиваля уличного искусства ЧӦ
Industrial Baby / LKKL art group, Vizovsky Pond, Yekaterinburg. Photo courtesy of ChӦ Public Art Festival
A public art object created from recycled aluminium for a public art festival in Yekaterinburg. The work refers to the city’s industrial identity and imagines the “industrial baby” as a fragile new body born from metal, labour, memory, and the urban environment.
Индустриальный младенец
Скульптура создана в составе арт-группы ЛККЛ (Людмила Калиниченко/Ксения Ларина) для фестиваля уличного искусства ЧӦ
An artist’s book based on the accidental loss of the artist’s family photo archive in 2016. Combining text, images, and fragments of memory, the work reconstructs a personal history through absence, loss, and the fragile remains of family narratives.
Индустриальный младенец
Скульптура создана в составе арт-группы ЛККЛ (Людмила Калиниченко/Ксения Ларина) для фестиваля уличного искусства ЧӦ
A multimedia installation reflecting on food culture, consumer choice, and the imagined future of lab-grown meat. Drawing from personal memory, childhood experience, and research into “clean meat”, the work creates a speculative world where the boundary between care, consumption, technology, and violence becomes unstable.
Индустриальный младенец
A large-scale photographic installation based on waste produced around the artist’s online life over the course of a year. The work transforms everyday remains connected to digital time into a 500-metre printed image sequence, creating a corridor between the virtual and physical worlds.